Book Addict with Angela Wilson

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Crisis as a Turning Point in Life and Books by Margaret Mallory

It is hard for adults to change—hard to change ourselves, and still harder to change others.

I remember reading Ann Lander’s advice when I was a teenager:  Don’t expect him to change after you marry him.  Of course, I did not believe her.  I have a strong will.  After more than twenty years of marriage, however, I have not been able to change a single thing about my husband.  No matter how many times I complain, my husband will never separate clothes when he does laundry.  My delicates will forever go in with the towels and his disgusting bike clothes. 

I bow to Ann Landers’ greater wisdom.  But it is frustrating.  One of the most gratifying things about being an author is that, finally, you are able to bend someone to your will.  You can force your characters to change.  This even has a name:  the character arc.  For a character’s transformation to ring true with your reader, however, you must give him a powerful reason to change.  You must throw him into the fire. 

Most of us do not make big changes in our lives unless we face a crisis.  We may talk about changing course, but we rarely actually do it until something or someone gives us a big kick in the pants.  You catch your spouse cheating; you lose your job; someone close to you dies; your kids leave home; you retire.  You probably needed or wanted to make the change all along, but you finally do it when your back is against the wall. 

imageThis is true in real life and in books.  We require a hard shove to jump off the tracks.

My own transformation from lawyer to romance author is a perfect example.  Mid-life crises drove me to make this dramatic career change.  Not a single person who knew me ever thought I would leave my established career to become a historical romance author.  Not one.  Not even me. 

I worked as a high-level manager in the state children’s services agency, which is a draining job that does not leave you with much energy for personal reflection.  But then, my immediate boss of 5 years died after work one night. I was close to her, and her death shook me.  What’s more, she was my second boss in a row to die—and die young.  The effect was cumulative.  Life suddenly seemed too short.  I wanted time to think, time to be with my kids, time to visit my aging parents—and time away from work. 

I took a six-month leave of absence.  After two weeks, it was clear that my thirteen and sixteen-year-old did not want to spend time with Mom 24/7.  They wanted me to I drive them places, write checks, and find stuff—nothing new there—which left me a lot of free time.  With my mind clear, stories started coming into my head.  I began developing elaborate plots in my head on my daily walks.  After two months, I decided to write a novel.  I had not written a word of fiction since high school.  I spent the next four months writing a bad first draft.

I was happy.  I didn’t want to stop writing. 

I was an introvert who had spent the last several years in a job where I was double-booked in meetings from dawn until dusk.  Every time I looked up, there were people standing in my doorway.  There was much I loved about my job.  I am glad I did it for as long as I did, but I was working against the grain.  When I started writing, I rediscovered the dreamer I had been as a child.  When I was a kid, my mother had my hearing checked because I did not hear her.  My hearing was fine; I was just off in another world. 

In The Writer’s Journey: Mythic Structure for Writers, Christopher Vogler explains how a hero often backslides after his first attempt at change.  He must learn and re-learn his lesson.  Like drug rehab, it usually takes more than one round to stick. 

And so, I went back to work after my leave of absence.  I asked for a part-time position, in the hope that I could continue to write.  That lasted about a nano-second.  Soon, I was in a job that was even more frenetic than the one I had before.  We tried to save the world in nine short months. 

Two things I never want to do again in this life are 1) cut services for abused and neglected children; and 2) lay off staff I’ve just hired.  My new boss, an absolutely brilliant woman, got fired.  Very publicly.  I was forced to lay off staff she had just made me hire a few months before.  That was it for me.  The final push.  I was done.

Just like a character in a book, I had crossed over.  I was on the downward slide of that character arc. 

When they moved me into a different position, that just made it easier to leave.  It took me another two months, however, to realize that I was not just done with that job and that place.  I started writing a new novel while I looked for a new job.  By the time I was getting second interviews, I did not want any of those jobs.  All l wanted to do was write. 

So my husband and I talked.  We decided that we could afford to be on one income for two years.  I quit and set about writing seriously with the goal of getting published.  That was the watershed decision.  At the end of the 2 years, I had an agent, but I had not sold yet.  I went back to work, but this time my priorities were different.  I took a non-supervisory job where I would be allowed to work reduced hours part of the year. 

When I got my two-book deal with a big New York publisher, I quit in a New York minute.  My editor and agent expressed unease over my precipitous leap into unemployment, but I had no real angst this time.  It’s in my nature to do things full-on, and I knew what I wanted.  I had a new goal, a new mission. 

They don’t call it mid-life crises for nothing.  When people hit it, they often make dramatic, life-altering decisions.  I could have done a lot worse than to come out as a novelist. 

The lesson for me as a writer is that in books, just as in life, crisis can be used as an impetus for transformation.  In order to force my hero and heroine to change, I have to torture them in some way first.  Perhaps repeatedly.  But I’ll reward them with a happy ending.  Every time.

Margaret Mallory
Tales of Love & Adventure
www.MargaretMallory.com
Knight of Desire, Available Now
Knight of Pleasure, Dec 2009
Knight of Passion, July 2010

Posted by Angela Wilson on 07/03/2009, 10:51 AM

Margaret -

I cannot tell you how much I related to your story. For years, I worked with the stress of newsroom madness and finally just STOPPED. I couldn’t deal with it anymore - or with not having a life.

The only difference is I haven’t paid as much attention to the fiction as I should have. Reading this was a terrific kick in the rear for me.

Thanks so much for dropping by!

Posted by Pat D on 07/03/2009, 11:56 AM

AMEN!  Great blog, and so true.

I’d been writing my whole life in on form or another.  I flirted with fiction, wrote a couple of (really poor) manuscripts and, when they were finished, shredded them and used them as mulch in my garden.  When I first determined to take a stab at publication, I made it—-and got raked over the coals.

Hurt and disillusioned, I put fiction aside.  Kept writing other things, though.  (Some things just won’t go away.)

Then my daughter’s fiance was killed.  So young, no chance to pursue his dreams.  But I still had a chance to pursue mine.

Haven’t made it to published yet, but everytime the “why am I doing this?” bug whispers in my ear, I remember a certain young man who believed I could do it, I keep going—for him as well as me.

Posted by Evangeline Collins on 07/03/2009, 12:24 PM

Great post, Margaret! And it’s one I can definitely relate to. I so admire your courage to leave the day job behind and follow your heart.

Posted by Susan Macatee on 07/03/2009, 01:36 PM

Great post, Margaret! I’ve always been a dreamer too, but didn’t pursue writing toward publication until years after I’d quit my job as a bookkeeper to be a stay-at-home mom. Once my youngest was in school, I signed up for a writing course and started on the road to publication as a romance novelist.

Posted by Margaret Mallory on 07/03/2009, 02:39 PM

I’m so glad other people are posting their stories here!  As for quitting my day job—I probably couldn’t have done that if we were just starting out.  My husband has been great about all this and the belt-tighening we’ve had to do.  All the same, I’m sure he is relieved I didn’t get “inspired” any earlier.  ;)
—Margaret

Posted by Carol Jo Kachmar on 07/03/2009, 04:42 PM

I also hadn’t written since my school days, but once I had been retired for a while, I got the urge to write that I’d suppressed all those years I taught about writers as an English teacher.  Now, though it is a struggle to really learn to write fiction, there is such a joy in creating characters and helping them find happiness that it makes me more happy also.  Thanks for a wonderful blog.

Posted by Alisa S. Moore on 07/04/2009, 12:32 PM

Interestingly enough, my dad always said his characters started out his and then took on lives of their own - he could not make them do or say things that were “out of character.” And as for husbands, not a chance - it took me two years of marriage to realize that just because they say, “yes, dear” does not mean a single thing will ever change - so put up, or give it up and move on. 24 years later, I am willing to accept those things I cannot change and recognize the difference. And boy do I envy you having a new mission - I can only see myself writing news releases for the next bazillion years, and that is so gray I can only sigh.
Cannot wait to read the first one! Go forth and write!

Posted by Margaret Mallory on 07/05/2009, 12:32 AM

Alisa, your dad was right, of course!!  You can’t make your hero act out of character and be believable. 

To me, that just means I have to give him very strong motivation to change.  People do change when the pressure is high enough:  a husband suddenly agrees to marriage counseling when he sees his wife packing; cases get settled on the courthouse steps.  In most character-driven novels, one of the main characters has to change or you have no character arc and no plot.

Posted by Alisa S. Moore on 07/05/2009, 12:37 PM

I agree, Peggy, that strong motivation is indeed needed for believable character change. Counseling, maybe, although many agree to counseling and the changes resulting are often not more than cosmetic; courthouse settlements are more situational resolution to me than real change motivators, unless some guy stops driving drunk because he looses his house to a victim’s damages suit. I do think that lust and money still serve well as motivators! I cannot wait to see what types of motivation drive your gentlemen and ladies-

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About Angela Wilson

Location: Midwest

Occupation: Author | Social Media Consultant | Freelance Writer | Storyteller | Tea Lover

Bio: I love to read, write fiction and surf (the Web). My FAV genres include mysteries, romantic suspense and thrillers. I'm finally working on my own thriller (under a pen name) and writing a book on marketing/PR for authors. In my day job, I serve as a social media consultant. I plug businesses and nonprofits into online media. As much as I love social media, the fire in my belly is for fiction. I love telling stories that entertain people. I love creating characters who have tough odds to beat. I love finding romance in the midst of chaos. I love creating mysteries with some thrill - stories that keep readers on the edge of their seats. Find out more at my blogs, http://www.wickedwordsmith.com and http://www.marketmynovel.com

Posts: 735

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