About Luke Hudson
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Once in a blue moon an album comes along that not only provides an excellent compilation of songs, but also manages to speak to the listener in an extraordinary way. Now, as with any soundtrack, the songs will mean more if you get out and see the movie, which I strongly encourage. But unlike most other soundtracks, the music plays such an integral part in the movie that listening to the CD evokes all of the same feelings you experienced at the theatre.
For those of you that didn’t see the movie or haven’t even heard of it, I’ll try to fill you in. Shortbus follows the lives of several troubled souls in New York who, while searching for answers, recognize a glimmer of hope in a little dive-bar known as Shortbus. If you’ve only heard of the movie, you’ve most likely heard rumor of the vast amount of non-simulated sexual content. The rumors are true. Unlike pornography, the movie uses sex, to great effect, as a medium for expressing the inner-turmoil of the characters.
Now, on to the CD. From instrumental tracks by old favorites such as Yo La Tengo, to the Swedish, dance- inspiring “Kolla Kolla” by The Ark, to Anita O’Day’s rendition of “Is You Is Or Is You Ain’t My Baby?” this album takes the listener on a complex journey from beginning to end. The listening experience calls into question our discomforts, our fears, and our endless quandary over the meanings of life and death. More concretely, the album provides a much needed social commentary. Why are we so afraid of being open about sex? Why do we feel threatened by homosexuality? Why do we let conventions limit us? All of these questions raised over the course of the album are answered in the final two tracks (the film version of “In the End” and a shorter, more low-key version of the same song). Although all of the tracks on the album are great, these two are really what makes the album so memorable. The eight minute and thirty-nine second song constitutes a journey on its own. Swooning violin-driven instrumentals set the mood for the piece, and compliment Justin Bond’s tortured voice very well. The heart-breaking introduction soon gives way to the entrance of a marching band, complete with marching snares and operatic vocals that perfectly capture the celebratory spirit of the movie. The song reminds me of something an older man might sing at church during communion… if the church met for orgies on Sunday nights, and preached orgasms instead of baptisms.
Not only do I recommend this soundtrack, but I feel that music like this can provide hope for all of those feeling hopelessly oppressed by today’s society, and perhaps convince the oppressors to lighten up a little bit.
Genre: Indie Rock
Sounds like: Hedwig & the Angry Inch soundtrack
Best Songs: “Soda Shop”, “In the End”
